I’m sorry. I really am. I had an entirely different column outlined for this week, all about interpreting the book and recent film adaptation of Brideshead Revisited through the lens of the twentieth century American Jewish experience (the striving, the trying to fit in with people who don’t really see you as an equal, the getting by on sheer talent, the masochistic self-loathing); a piece of literary criticism that would have surely made the genteelly anti-Semitic Evelyn Waugh (who for years was desperately, unrequitedly in love with the notorious Diana Mitford Mosley, Britain’s most glamorous Nazi) turn in his grave. It was going to have a beginning, middle and end; it would have had a coherent thesis and concluding statement.

But that was before the Olympics melted my analytic mind, turning it into a messy, manic carnival of nationalistic synapses. And now, I’m too excited to write (or even think) about anything else.

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