Thu, Aug 28, 2008

User login

DAILY SHVITZ
Jewish Decadence, 1890’s Style

If only he were as hot as she is: The Veiled Bride, by Simeon Solomon.If only he were as hot as she is: The Veiled Bride, by Simeon Solomon.I’ll always maintain that Wilde was no homosexual martyr. Thinking his celebrity would protect him, he brought the Marquess of Queensbury’s lawsuit upon himself. Even his “Love that dare not speak its name” speech spoke about an attraction between men that was both chaste and intellectual -- and had no relationship to his dealings with London rentboys.

A much more genuine martyr to decadence is Simeon Solomon, an 1890’s British pre-Raphaelite who’s career was cut short by his repeated arrests for sodomy. The Simeon Solomon research archive keeps his humid, elaborately detailed, lush lipped work this’away


Molly Crabapple is a New York artist, the author of Dr. Sketchy's Official Rainy Day Colouring Book, and the founder of an art


More...

Michael Weiss


Wilde

"Mine is the love that dare not speak its name" was Bosie's line from the only memorable poem he ever wrote, not Wilde's defense.

Though I disagree that the Irish playwright was speaking purely of the chaste eros that defined ancient Greek male relationships -- usually those between mentor and protege. Platonic love is one thing, but Oscar got up to plenty more.

What finally did him in in the dock was his too-clever answer to the prosecutor's question of whether he'd ever kissed such-and-such rentboy: "No. He was unspeakably plain."

So much for sidelong glances along the portico.

 





Molly Crabapple


Wilde used it in his defense

Bosie coined the phrase, but Wilde used it on the stand. 

 ""The Love that dare not speak its name" in this century is such a great affection of an elder for a younger man as there was between David and Jonathan, such as Plato made the very basis of his philosophy, and such as you find in the sonnets of Michelangelo and Shakespeare. It is that deep, spiritual affection that is as pure as it is perfect. It dictates and pervades great works of art like those of Shakespeare and Michelangelo, and those two letters of mine, such as they are. It is in this century misunderstood, so much misunderstood that it may be described as the "Love that dare not speak its name," and on account of it I am placed where I am now. It is beautiful, it is fine, it is the noblest form of affection. There is nothing unnatural about it. It is intellectual, and it repeatedly exists between an elder and a younger man, when the elder man has intellect, and the younger man has all the joy, hope and glamour of life before him. That it should be so, the world does not understand. The world mocks at it and sometimes puts one in the pillory for it.""





Michael Weiss




Post new comment

  • Web page addresses and e-mail addresses turn into links automatically.
  • Allowed HTML tags: <a> <em> <i> <strong> <strike> <b> <cite> <code> <u> <ul> <ol> <li> <dl> <dt> <dd> <p> <br> <img> <blockquote>
  • Lines and paragraphs break automatically.
  • Images can be added to this post.

More information about formatting options

Captcha
This question is for testing whether you are a human visitor and to prevent automated spam submissions.
Copy the characters (respecting upper/lower case) from the image.