Sat, Oct 11, 2008

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Jewcy Book Club

Welcome Authors
Brian Frazer
&
Mike Edison
who are posting all week.
Coming up:
  • 10/13:
    Rabbi Levi Brackman and Sam Jaffe
  • 10/20:
    Jonathan Garfinkel
  • 10/20:
    Rabbi Robert Levine
  • 10/27:
    Danit Brown
  • 10/27:
    Joshua Henkin
  • 11/03:
    Craig Glazer
  • 11/10:
    Max Gross
  • 11/17:
    Seth Greenland

THE CABAL
Going Out in Style

In his post about Mark Ames’s repugnant polemic Going Postal, Michael Weiss made the observation, with respect to the Virginia Tech shooter Cho Seung-Hui, that “snapped” is a “quaint characterization of a very deliberate process.” This quaint characterization appears prominently in the suicide note of Robert A. Hawkins, the Westroads Mall shooter: “I’ve just snapped I can’t take this meaningless existence anymore I’ve been a constant disappointment and that trend would have only continued.”

This calls to mind what James Bowman, The New Criterion’s media critic, has called the “aristocracy of feelings.” He might as well call it the tyranny of feelings. The person reading the note is meant to applaud or at least comprehend the emotional hardship that led to Hawkins’s decision to kill. The line “I’ve been a constant disappointment and that trend would have only continued” ought to be the stuff of mediocre satire. Surely even a homicidal youth could see that nothing would “disappoint” his family, friends, are the general public more than a shopping-mall massacre? Maybe not, and there’s the rub—and, in this case, the rubbing out of many innocent people. As Bowman notes here, Hawkins made one part of his motivation painfully clear:

“Now I’ll be famous,” wrote 19-year-old Robert Hawkins the other day before murdering eight people at the Westroads shopping mall in Omaha and then killing himself. Now that, two days later, The New York Times is reporting on those who are “searching for clues to a young killer’s motivations,” you’ve got to wonder why anyone would need more “clues” than that? . . .

Yet isn’t it strange that the Times reporters don’t even mention the motivation cited by the boy himself? What about the desire to be famous? What about the belief that by killing a bunch of his neighbors at random before killing himself he was going to “go out in style”? Are these not worth a moment’s consideration? Don’t they sound plausible “motivations” when we see every day what people—particularly young people—are willing to do for fame? Didn’t the Virginia Tech shooter last April have a similar motivation? What about the “YouTube killer” in Finland only last month?

As I wrote earlier this month, “It’s time we decided not to celebrate this kind of atrocity.” I should clarify that I don’t think the celebration is deliberate (Mark Ames’s book being a notable exception), but it’s celebration nonetheless. Stanley Crouch agrees:

[T]his adds up to a considerable challenge for the media, but not one beyond its capability. If the media had the courage and developed the narrative skills to make the lives of the victims more important and more compelling in their humanity than the crabbed and tortured lives of their murderers, the attention would give the killers far less space than the victims.

Imagine if it saved lives beyond the killer himself. He might then only do away with one person. We would then be spared the body bags filled with those whom he had planned to sacrifice on the altar of television.

Speaking of “narrative skills,” the media should take some of the blame for propagating the narrative arc that Hawkins used so disingenuously in his suicide note. Does anybody believe that he shot up a shopping mall because he was tired of being a disappointment? Or is his confessed craving for fame all the explanation that this crime admits? Of course the media can’t dwell on the one aspect of the crime in which the media is itself complicit.

This made the media’s hyperventilations about the Virginia Tech Halloween costumes a little hard to stomach. The costumes were in poor taste, but the incredulity wasn’t warranted. We have modern life—from the art world to Quentin Tarantino—to thank for the interminable arms race of outrage. It’s no surprise that people sometimes cross a line they didn’t know was there in the first place. Far more shocking than the costumes was the backlash to the backlash:

[O]ne of the Penn State students was disgusted that a Virginia Tech student created a Facebook group called “People Against This Costume” in response to the tasteless choice of attire.

This is a group of college students who now think it’s trendy to be upset about their friends being killed . . . The thing is, everybody’s making a big stink about Virginia Tech. Virginia Tech was 32 deaths out of the 26 thousand that happen in America everyday. That’s the problem with college students. They all live in an ivory tower of privilege.

I don’t think people need the help of trends to be upset about their friends being killed. I don’t think the desire to be safe from random acts of violence makes one a of white-bread “son of privilege.” But in the killers’ maudlin self-justifications, in the media’s responses, and in tougher-than-thou nonsense like the above-quoted, we can see these supposedly “random” crimes following an ever-stricter pattern. Is there any good reason to expect that they’ll stop? 



Stefan Beck is a writer living in Palo Alto, California. He has contributed to the Wall Street Journal, The Weekly Standard, and other publications. He also blogs for Commentary’s Horizon and The New Criterion’s Armavirumque.


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Anonymous


Just want to let you know

that I loved Going Postal, in fact it's probably the best non-fiction book I've ever read. Mark Ames' column in exile.ru is also excellent. I highly recommend. 





Anonymous


Mark Ames' book is

Mark Ames' book is brillant, and sheds light on these sorts of crimes in a way that sour reactionaries (such as the sort of pseudo-intellectual, self-righteous prig who contributes to the monotonous and witless NEW CRITERION) inevitably fail to do.

What really infuriates Mr. Beck is not that Ames tries to justify these shootings (he doesn't), or that he has no sympathy for the victims (he does), it's that he lays a large part of the blame for these crimes on the vicious and amoral "Reagan Revolution".  And he is perfectly correct to establish that link.  Ames doesn't permit the likes of Mr. Beck to blame everything on liberals - not that I enjoy Quentin Tarantino's sadistic tripe, of course, or what passes for entertainment on TV, but to put MORE blame on Tarantino than on the conservative hypocrites who supported the Reagan Revolution and thereby helped tear apart American society, is to be so incapable of honest self-reflection that one ought to excuse oneself from commenting altogether.

There is nothing "repugnant" about Ames' brilliant analysis, which points the finger exactly where it ought to be pointed, hard as it is for a lazy reactionary like Beck to admit this.  There is, however, a considerable amount that is repugnant about The New Criterion, which never met a problem it couldn't blame entirely on the Left.